Taylor Swift in The Guardian Taylor went from petty to maturity I created an expectation that everything in my life that happened, people would see. She has also accepted responsibility for her overexposed tabloid dramas, pointing out that in the past, if she didn’t wish a friend happy birthday on Instagram, there would be automatic reports of broken friendships, even if they had celebrated together.īecause we didn’t post about it, it didn’t happen – and I realized I had done that. Today, she finds herself in a drama-free, mutually supportive, low profile relationship. Whatever changes she’s made within, it shows, because pre-2016 she was still bogged down in songs about her exes and insult wars with fellow stars. Although rumours abound about the pair’s possible engagement, a possible secret marriage, and even a hush-hush pregnancy, so far no one knows for sure-and Swift wants to keep it that way.įor Swift, stepping out of an adolescent mindset and into a mature relationship has meant stepping out of the limelight-just a bit. Most recently, they attended the pre-pandemic 2020 Golden Globes together. In turn, he showed up to support her at the premiere of Cats in which she played a starring role. Taylor actually skipped the Grammys to support Alwyn at the BAFTAs, when his film The Favourite was up for several awards.
While the couple are rarely photographed together, they have started going out in public a little more often. He gives few interviews and does his darnedest not to discuss his relationship. Much as Taylor has come to prefer, Alwyn likes to keep a lid on his media persona. A mystery man, the secret to her heart?įinally, after unsuccessfully merging her life with numerous other celeb beaus including actor Tom Hiddleston-with whom she also had a highly publicized breakup-she began dating her current boyfriend, English actor Joe Alwyn in 2016.
In response, Mayer, deeply hurt, continued their dramatic public saga with his own song “Paper Doll,” in which he describes his short-lived relationship with a “paper doll,” suggesting Swift was too emotionally immature and fragile to handle their relationship. “Dear John, I see it all, now it was wrong / Don’t you think nineteen is too young / To be played by your dark twisted games, when I loved you so?” Taylor’s infamous song “Dear John,” from her 2010 album Speak Now delves into this bit of bad blood like a seasoned pro.
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